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Results 1 - 50 of 40,673  for Everything (Includes Articles)

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1
Acting for America movie stars of the 1980s
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Acting for America movie stars of the 1980s

Robert T. Eberwein 1940-

2010

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2
Law in the domains of culture
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Law in the domains of culture

Thomas R Kearns; Austin Sarat; Michigan Publishing (University of Michigan) publisher.

1st pbk. ed.. c1998

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3
Directory of world cinema American hollywood
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Directory of world cinema American hollywood

Lincoln Geraghty 1977-

2011

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4
The Silvering Screen : Old Age and Disability in Cinema
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The Silvering Screen : Old Age and Disability in Cinema

Sally Chivers author.

2019

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5
Suing the press
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Suing the press

Rodney A. Smolla

1986

Available at UDM McNichols Campus Library  UDM McNichols Library Stacks  (KF 1266 .A7 S46 1986 )()

6
Psychoanalysis and film
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Psychoanalysis and film

Glenn O Gabbard

2001

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7
Shining in Shadows : Movie Stars of the 2000's
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Book
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Shining in Shadows : Movie Stars of the 2000's

Murray Pomerance editor.

2011

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8
The cinema of Clint Eastwood: chronicles of America
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Book
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The cinema of Clint Eastwood: chronicles of America

Sterritt, David

2014

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9
The Films of Clint Eastwood: Critical Perspectives ed. by Matt Wanat and Leonard Engel (review)
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The Films of Clint Eastwood: Critical Perspectives ed. by Matt Wanat and Leonard Engel (review)

Sterritt, David

Western American literature, 2019, Vol.53 (4), p.508-510 [Peer Reviewed Journal]

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10
Gran Torino Dir. Clint Eastwood (review)
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Gran Torino Dir. Clint Eastwood (review)

Raval, Geeta

Middle West review, 2014, Vol.1 (1), p.151-153 [Peer Reviewed Journal]

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11
New Essays on Clint Eastwood by Leonard Engel (review)
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New Essays on Clint Eastwood by Leonard Engel (review)

Emmert, Scott D

Western American literature, 2014, Vol.49 (2), p.223-224 [Peer Reviewed Journal]

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12
A tale of two eastwoods: Iconographic persona and rhetorical ethos in Clint Eastwood's "halftime in America" and RNC 2012 address
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Article
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A tale of two eastwoods: Iconographic persona and rhetorical ethos in Clint Eastwood's "halftime in America" and RNC 2012 address

Schmitt, Casey

Persona Studies, 2016-05, Vol.2 (1), p.41-54 [Peer Reviewed Journal]

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13
Clint Eastwood, Actor and Director: New Perspectives
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Clint Eastwood, Actor and Director: New Perspectives

Engel, Leonard

2007

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14
Flags of Our Fathers. Dir. by Clint Eastwood. Prod. by Clint Eastwood, Steven Spielberg, and Robert Lorenz. Letters from Iwo Jima. Dir. by Clint Eastwood. Prod. by Robert Lorenz
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Flags of Our Fathers. Dir. by Clint Eastwood. Prod. by Clint Eastwood, Steven Spielberg, and Robert Lorenz. Letters from Iwo Jima. Dir. by Clint Eastwood. Prod. by Robert Lorenz

Hart, J

The Journal of American history (Bloomington, Ind.), 2007-12, Vol.94 (3), p.1032-1034 [Peer Reviewed Journal]

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15
Dirty Harry's America: Clint Eastwood, Harry Callahan, and the Conservative Backlash
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Dirty Harry's America: Clint Eastwood, Harry Callahan, and the Conservative Backlash

Street, Joe

2016

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16
New Essays on Clint Eastwood
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New Essays on Clint Eastwood

Engel, Leonard ; Cornell, Drucilla

2012

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17
Clint Eastwood: Actor and Director ed. by Leonard Engel (review)
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Clint Eastwood: Actor and Director ed. by Leonard Engel (review)

Wilson, Paul

Western American literature, 2009, Vol.43 (4), p.428-429 [Peer Reviewed Journal]

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18
Clint Eastwood and Male Weepies
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Clint Eastwood and Male Weepies

Modleski, Tania

American literary history, 2010, Vol.22 (1), p.136-158 [Peer Reviewed Journal]

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19
Joe Street, Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash
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Joe Street, Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash

Arouh, Melenia

European journal of American studies, 2019-07-15 [Peer Reviewed Journal]

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20
“The Digital Won't Let Me Go”: Constructions of the Virtual and the Real in Gorillaz' “Clint Eastwood”1
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“The Digital Won't Let Me Go”: Constructions of the Virtual and the Real in Gorillaz' “Clint Eastwood”1

Richardson, John

Journal of popular music studies, 2005-04, Vol.17 (1), p.1-29 [Peer Reviewed Journal]

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21
American War Adventure and the Generic Pleasures of Military Violence: Clint Eastwood's American Sniper
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American War Adventure and the Generic Pleasures of Military Violence: Clint Eastwood's American Sniper

Soltysik Monnet, Agnieszka

Journal of popular culture, 2018-12, Vol.51 (6), p.1376-1397 [Peer Reviewed Journal]

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22
Johannesburg in Transition: Representing Street Encounters as Racial Registers in Clint Eastwood's Invictus
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Johannesburg in Transition: Representing Street Encounters as Racial Registers in Clint Eastwood's Invictus

Mututa, Addamms Songe

Critical arts, 2019-03-04, Vol.33 (2), p.1-13 [Peer Reviewed Journal]

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23
Dirty Harry's America: Clint Eastwood, Harry Callahan, and the Conservative Backlash by Joe Street (review)
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Dirty Harry's America: Clint Eastwood, Harry Callahan, and the Conservative Backlash by Joe Street (review)

Deutsch, James I

American studies (Lawrence), 2018, Vol.56 (3), p.109-110 [Peer Reviewed Journal]

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24
Dirty Harry's America: Clint Eastwood, Harry Callahan, and the Conservative Backlash by Joe Street
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Dirty Harry's America: Clint Eastwood, Harry Callahan, and the Conservative Backlash by Joe Street

Deutsch, James I

American studies (Lawrence), 2018, Vol.56 (3-4), p.109-110 [Peer Reviewed Journal]

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25
Neoliberal Heroes: Clint Eastwood's Sully and the Haunting of History
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Neoliberal Heroes: Clint Eastwood's Sully and the Haunting of History

Poll, Ryan

Journal of popular culture, 2018-04, Vol.51 (2), p.446-465 [Peer Reviewed Journal]

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26
The Rhetoric of the Hanging Chair: Presence, Absence, and Visual Argument in the 2012 Presidential Campaign
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The Rhetoric of the Hanging Chair: Presence, Absence, and Visual Argument in the 2012 Presidential Campaign

Cos, Grant ; Martin, Kelly Norris Payne, J. Gregory

The American behavioral scientist (Beverly Hills), 2013-12, Vol.57 (12), p.1688-1703 [Peer Reviewed Journal]

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27
Dirty Harry's America: Clint Eastwood, Harry Callahan, and the Conservative Backlash
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Dirty Harry's America: Clint Eastwood, Harry Callahan, and the Conservative Backlash

Joe Street

2016

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28
The auto-mobility of Gran Torino’s American immigrant dream: cars, class and whiteness in Detroit’s post-industrial cityscape
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The auto-mobility of Gran Torino’s American immigrant dream: cars, class and whiteness in Detroit’s post-industrial cityscape

Kinney, Rebecca J

Race & class, 2015-07, Vol.57 (1), p.51-66 [Peer Reviewed Journal]

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29
Dirty Harry's America: Clint Eastwood, Harry Callahan, and the Conservative Backlash JoeStreet. University Press of Florida, 2016
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Dirty Harry's America: Clint Eastwood, Harry Callahan, and the Conservative Backlash JoeStreet. University Press of Florida, 2016

Ingle, Zachary

Journal of American culture (Malden, Mass.), 2017-09, Vol.40 (3), p.281-282 [Peer Reviewed Journal]

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30
Gran Torino (Clint Eastwood)
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Gran Torino (Clint Eastwood)

Sáez-González, Jesús Miguel

Vivat academia (Alcalá de Henares), 2009-03-15 (103), p.112 [Peer Reviewed Journal]

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31
Horizons West: Directing the Western from John Ford to Clint Eastwood by Jim Kitses (review)
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Horizons West: Directing the Western from John Ford to Clint Eastwood by Jim Kitses (review)

Engel, Leonard

Western American literature, 2006, Vol.41 (1), p.82-83 [Peer Reviewed Journal]

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32
Wyoming's Budget: More Good, Bad, and Ugly Than a Clint Eastwood Movie
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Wyoming's Budget: More Good, Bad, and Ugly Than a Clint Eastwood Movie

Schuhmann, Robert A ; Skopek, Tracy A

California journal of politics and policy, 2015-07-01, Vol.7 (3), p.0_1 [Peer Reviewed Journal]

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33
Clint Eastwood's Invictus
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Clint Eastwood's Invictus

Adriano Bugliani ; Andrea Panzavolta

Iris : European journal of philosophy and public debate, 2010-10-01, Vol.2 (4), p.469 [Peer Reviewed Journal]

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34
New Essays on Clint Eastwood LeonardEngel, Editor. Salt Lake City: University of Utah Press, 2012
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New Essays on Clint Eastwood LeonardEngel, Editor. Salt Lake City: University of Utah Press, 2012

Cutchins, Dennis

Journal of American culture (Malden, Mass.), 2015-06, Vol.38 (2), p.176-177 [Peer Reviewed Journal]

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35
Cultural and Religious Reversals in Clint Eastwood's Gran Torino
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Cultural and Religious Reversals in Clint Eastwood's Gran Torino

Roche, Mark W ; Hösle, Vittorio

Religion and the arts (Chestnut Hill, Mass.), 2011, Vol.15 (5), p.648-679 [Peer Reviewed Journal]

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36
New essays on Clint Eastwood. Foreword by Drucilla Cornell
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New essays on Clint Eastwood. Foreword by Drucilla Cornell

Engel, Leonard

2012

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37
La ceguera axiológica como consecuencia de la construcción del mito. El caso de Sin perdón (1992) de Clint Eastwood
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La ceguera axiológica como consecuencia de la construcción del mito. El caso de Sin perdón (1992) de Clint Eastwood

Gaztaka, Ignacio

Fotocinema, 2019-07-22, Vol.2 (19), p.279-300

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38
Film Review: Gran Torino (2008)
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Film Review: Gran Torino (2008)

Kramp, Joseph M

Pastoral psychology, 2011-12, Vol.60 (6), p.921-922 [Peer Reviewed Journal]

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39
Clint Eastwood's Gran Torino
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Clint Eastwood's Gran Torino

Umberto Curi ; Mario Pezzella

Iris : European journal of philosophy and public debate, 2009-10-01, Vol.1 (2), p.531 [Peer Reviewed Journal]

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40
A politically correct Ethan Edwards: Clint Eastwood's The Outlaw Josey Wales
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A politically correct Ethan Edwards: Clint Eastwood's The Outlaw Josey Wales

Sickels, Robert C

The journal of popular film and television, 2003, Vol.30 (4), p.220 [Peer Reviewed Journal]

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41
Mechanisms of Violence in Clint Eastwood's Unforgiven and Mystic River
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Mechanisms of Violence in Clint Eastwood's Unforgiven and Mystic River

Redmon, Allen

Journal of American culture (Malden, Mass.), 2004-09, Vol.27 (3), p.315-328 [Peer Reviewed Journal]

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42
One Adam and Nine Eves in Donald Siegel’s The Beguiled and Giovanni Boccaccio’s 3:1 of The Decameron
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