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Between opera and cinema

Jeongwon Joe; Rose Theresa

2002

Online access

  • Title:
    Between opera and cinema
  • Author: Jeongwon Joe; Rose Theresa
  • Description: Cover; BETWEEN OPERA AND CINEMA; Title Page; Copyright Page; Table of Contents; SERIES EDITOR'S FOREWORD; INTRODUCTION; 1 FROM MÉPHISTOPHÉLÈS TO MÉLIÈS: Spectacle and Narrative in Opera and Early Film; 2 ""THERE AIN'T NO SANITY CLAUS!"": The Marx Brothers at the Opera; 3 THE TALES OF HOFFMANN: An Instance of Operality; 4 THE CINEMATIC BODY IN THE OPERATIC THEATER: Philip Glass's La Belle et la Bete; 5 WHY DOES HOLLYWOOD LIKE OPERA?; 6 OPERA IN FILM: Sentiment and Wit, Feeling and Knowing: The Shaw shank Redemptionand Prizzi's Honor
    7 IS THERE A TEXT IN THIS LIBIDO?: Diva and the Rhetoric of Contemporary Opera Criticism8 THE ELUSIVE VOICE: Absence and Presence in Jean-Pierre Ponnelle's Film; 9 VERDI IN POSTWAR ITALIAN CINEMA; 10 CHINESE OPERA, GLOBAL CINEMA, AND THE ONTOLOGY OF THE PERSON: Chen Kaige's Farewell M y Concubine; 11 SOUNDING OUT THE OPERATIC: Jacques Rivette's Noroit; AFTERWORD; CONTRIBUTORS; INDEX
    Leading scholars of opera and film explore the many ways these two seemingly unrelated genres have come together from the silent-film era to today.
  • Publication Date: 2002
  • Publisher: New York : Routledge
  • Format: 1 online resource (251 p.).
  • Identifier: ISBN 0-203-05554-3;ISBN 1-283-88784-3;ISBN 1-136-53400-8
  • Subjects: Motion pictures and opera; Operas -- Film adaptations; Electronic books
  • Language: English
  • Source: 01DAL UDM ALMA

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